ASCENDING DRAGON: FILMS OF GREATER CHINA
Apr 1 2008 - May 20 2008
Several
years ago we explored films of the “5th generation” of directors in
China. With this series we will be looking at a wide array of recent
films made by directors of that and subsequent generations in China,
Hong Kong, and Taiwan. The 21st century has brought an explosion of
Asian cinema and China is an essential player in that burgeoning
artistic industry. In this series we will look at the distances between
fathers and sons, the changing socio-sexual mores of modern Beijing,
the impact of Western culture on the youth of China, the death of an
old Taiwanese movie theater specializing in martial arts films, modern
enslavement, dangerous working conditions, and thirty years of changes
brought upon a family after the Cultural Revolution.--Chale Nafus, Director of Programming, Austin Film Society

RIDING ALONE FOR THOUSANDS OF MILES (Qian li zou dan qi)
A
Japanese father decides to follow his dying son’s dream of filming a
particular Chinese masked dancer in a remote area of China. Despite
enormous bureaucratic roadblocks and a complete lack of understanding
of Mandarin, Takata finally tracks down the dancer…in prison.

LOST IN BEIJING (Ping guo)
This
intriguing new film shows a dramatically changing Beijing and major
shifts in the socio-sexual-economic traditions, which would send Mao
into a tirade. »
read more
UNKNOWN PLEASURES (Ren xiao yao)
This
earlier film by the writer/director of THE WORLD looks at teenage
slackers who smoke, sit in pool halls, ride a motorcycle, try to talk
to girls and even women, watch TV, and generally waste all their time
in mindless inactivity.
» read more
GOODBYE, DRAGON INN
A
dilapidated Taiwanese movie theater shows its final movie – an old
kung-fu classic DRAGON INN by King Hu. The action-packed frenetic
camerawork of the martial arts movies strikingly contrasts with the
calm mise-en-scene shots of the modernist writer and director Tsai
Ming-liang. »
read more

SUNFLOWER
Sunflower
is a powerful and touching look at the compelling inner dynamics of one
post-Cultural Revolution family in Beijing and their struggle over
thirty years to adjust to each other as the fabric, politics, and
social mores of Chinese society change ever so rapidly.
» read more

SPRINGTIME IN A SMALL TOWN
The
eight-year marriage of Dai Liyan and Yuwen has left them both
unfulfilled and distant. An unexpected visitor arrives from Shanghai, a
smartly-dressed doctor call Zhang Zhichen. Elegantly shot in long takes
and drifting tracking shots by cinematographer Mark Lee Ping Bing, this
is a tightly controlled tale of thwarted desires.
» read more

BLIND MOUNTAIN (Mang shan)
Bai
Xuemei is a pretty graduate who is promised a good job working as a
salesman for a medical company. Her new employers take her into the
mountains, ostensibly to buy medicinal herbs; she is drugged, and wakes
up to find that she has been sold to a peasant family as a wife for
their truculent son.
» read more
BLIND SHAFT (Mang jing)
In
the dark caves of one of the many illegal Chinese coal mines, Song and
Tang murder a co-worker whom they have convinced to pose as Tang's
brother. By forcing the mine's collapse upon their deceased colleague,
and thereby making his death seem accidental, Tang and Song use their
colleague's death to extort money from the mine's management.
» read more