Virtual Screenings

“Imbued with a lovely sense of place and community… observed with a keen eye for the small details of ordinary lives that elevates the material.” – Hollywood Reporter

“There’s a lot to say about Ella Fitzgerald that goes beyond the stock superlatives. And happily, Just One of Those Things… begins to address the lack of attention accorded Ella as a subject worthy of thoughtful chronicle.” – Jazz Journal

“There can be a very fine line between a movie that is delicate and understated and a movie that is lazy and undernourished. Ahn is slowly perfecting the former.” – Bilge Ebiri, New York Magazine

“Life is a series of accumulations, and Fourteen is smart about how friendships can, in a strange way, deepen even as they dissolve.” – AV Club

“Part political rebellion, part masterpiece romance, and a true privilege to witness.” – Taryn Allen, Chicago Reader

“Critic’s Pick! “A heart-thumping political allegory that tips its hat to masters like John Carpenter.”
– Manohla Dargis, The New York Times

“One of the best films I’ve seen about fine art. It casts an entrancing spell that allows the staggering depth of its subject’s work to consume us.” – Matt Fagerholm, RogerEbert.com

“THE BOOKSELLERS is a documentary for anyone who can still look at a book and see a dream, a magic teleportation device, an object that contains the world.”– VARIETY

“A wondrous vision of life on the edge.”- Indiewire

“A candid, frank, and comprehensive whirlwind tour through the life and work of one of the world’s most celebrated (and uncompromising) chefs.” – The Gate

“Eye-opening eye candy.” – Hollywood Reporter

“Despite all its importance this is, at its core, almost a popcorn movie.” – Evan Saathoff, Birth Movies Death

This showcase of some of the most exciting new cinematic voices from France runs the gamut from animation to romance to absurdist comedy.

A series of cinematic portraits, each a glimpse into the life and perspectives of a different member of the Mississippi Delta community of Rosedale.

“SLAY THE DRAGON is the most important political film of the year, and it may prove to be one of the key political films of the decade.” – Owen Gleiberman, Variety

A gripping look at the process of escaping to a better life, only to find that the old one follows along at every turn… Manages to feel rough and risky while somehow sensitive at the same time, like the best of them.” – Eric Kohn, Indiewire

“A savory gumbo of uniquely American ingredients – jazz, blues, soul, rock ‘n’ roll, gospel, funk, hip-hop – generously seasoned with love and respect for the largely African-American artists who forged that heritage over the past three centuries.” – Austin Chronicle

“A ravishing masterpiece. The mystery and wonder of Pedro Costa’s filmmaking defies any specific category… Gorgeous. Transcendent.” — Eric Kohn, Indiewire