Category Archive: List

  1. Strike a Pose: The Enduring Influence of PARIS IS BURNING—Opening June 28 at AFS Cinema

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    PARIS IS BURNING opens June 28 at AFS Cinema. Purchase tickets

    Twenty nine years after its release, the iconic film PARIS IS BURNING continues to have a lasting impact on pop culture through music, TV, and language. From Madonna’s influential song “Vogue” to FX’s new hit show Pose, the cultural reach of the film is profound. Here are just a few of the many works rooted in the iconography featured in PARIS IS BURNING: 

    Malcolm McLaren“Deep in Vogue” 

     

    Featuring voguing icon Willi Ninja, this song and music video were directly inspired by the 1980s ball culture shown in PARIS IS BURNING only one year later. Ninja, who also appears in the film, was a fixture on the scene and a key figure in bringing wider attention to the dance style. The song was a surprise hit, spending nine weeks on the Billboard charts.

    Madonna—”Vogue”

     

    Next up—who else but Madonna? This “cultural phenomenon” of a video features voguers José Gutierez Xtravaganza and Luis Camacho Xtravaganza, highlighting key artists in the ball scene of the time (SLANT). Not lacking in controversy, this song sparked a huge debate on whether or not Madonna was appropriating ball culture for her own gain while leaving the queer people of color who were the originators of the style in the dust.

    RuPaul’s Drag Race

     

    A reality TV show that has steadily gained mainstream praise, RuPaul’s Drag Race takes the format of the traditional ball and translates it for the small screen. Consistently using the distinctive language found in PARIS IS BURNING—“fierce, werk, yaaas queen, spilling tea, gagging, shade”—Drag Race has had a large role in incorporating the phrases of ballroom culture into everyday mainstream language (THEM).

    KIKI

     

    Somewhat of a spiritual sequel to PARIS IS BURNING, KIKI is a 2016 documentary based in an evolved New York City ballroom scene. Confronting similar issues of prejudice, poverty and illness, the film follows a group of LGBTQ youth as they try to make the ranks of the Kiki Scene.

    Pose

     

    A fictional adaptation based in the same era of ball culture as PARIS IS BURNING, Pose exposes the hardships and complexity of LGBTQ+ life in late 1980s New York City. Many scenes directly reflect moments in the documentary, bringing a modern audience back to the same issues brought to attention in PARIS IS BURNING.

  2. AFS Must-See Holiday Watch List: Staff and Fan Picks

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    It’s that time of the season to grab a warm drink, cozy up, and watch holiday classics with your loved ones. We asked the AFS staff what their go-to holiday films are for this season. Read on below to hear what they had to say. In addition to our staff, we polled our Instagram followers for their favorites, too. Did your favorite not make the list? Be sure to tell us on Facebook or Instagram what’s missing!
    Join us at the AFS Cinema for our holiday film series, Home for the Holidays, December 22-31. This year’s film selections include FANNY AND ALEXANDER, THE APARTMENT, MEET ME IN ST. LOUIS, and the quintessential classic IT’S A WONDERFUL LIFE.
    Looking for the perfect holiday gift for your favorite film fan? Give them the gift of an AFS membership and you’ll receive a Golden Ticket!

    And here they are…

    Yolanda Gamble, Youth Media Specialist

    • NATIONAL LAMPOON CHRISTMAS VACATION: This movies brings back so many nostalgic memories for me. As a kid, my family would watch it all together and laugh at the same parts. This film captures so beautifully the joy, insanity, and warmth of the holiday season.
    • ELF: For me, it’s a holiday classic. The film is so simple and innocent. There is such a genuine purity in Buddy the Elf and he reminds us all of the kid inside us!
    • SCROOGED: This showcases the ’80s so well. I love the ostentatiousness of this movie. It’s an over-the-top Christmas movie filled with the bitterness and loneliness that can come with the holidays. Both the film and Bill Murray are great.

    Graham Young, Equipment Specialist

    • EYES WIDE SHUT: Stanley Kubrick could film Christmas lights like nobody’s business.  Stunningly beautiful film. My favorite “bleak” Christmas movie.
    • FANNY & ALEXANDER: One day I hope to host a Christmas party that’s half as good as the Ekdahl family. What a night!
    • SCROOGE: Alastair Sim’s portrayal of Ebeneezer Scrooge is my favorite. The film’s cinematography and optical effects are out of this world.

    Lars Nilsen, Lead Film Programmer

    • IT’S A WONDERFUL LIFE: Everyone knows about IT’S A WONDERFUL LIFE, but I sometimes wonder if I am seeing it through a different lens than many others, who call it “sentimental,” a “tear jerker, ” etc. I think it’s a really dark, really emotionally honest film, and the pain that many Americans were feeling at the end of WWII (including James Stewart, a highly decorated flyer and bomber commander), gives it a resonance that we still feel today.
    • DONOVAN’S REEF: I am not sure how many people have seen the late John Ford film DONOVAN’S REEF, which takes place over the holidays on a tropical island. It is sort of a last reunion for many of Ford’s stock company and everyone is having a good time. It is also a film about overcoming racial prejudice and uniting families. A couple of moments fly in out of nowhere to choke me up, especially the Christmas service in a decrepit chapel. Ford’s poetic eye for staging never deserted him.

    Ellie Kotapish, Development Manager

    • WHITE CHRISTMAS: This movie is very nostalgic for me. I grew up watching with my family, and we continue to do so every holiday season!

    Shannon Kors, Sales Manager

    • THE FAMILY STONE: Amazing writing. Great cast. Heartfelt story.
    • THE HOLIDAY: This is one of the best/worst holiday movies. Cameron Diaz is not at the top of her acting game, but this is an easy-to-watch Nancy Meyers film where everyone ends up happy.
    • EMMET OTTER’S JUGBAND CHRISTMAS: It has such a nostalgic aspect to it since it was constantly on HBO when I was growing up. The puppetry alone is incredible!

    Instagram Followers

    We took it to Instagram to ask our followers which films they love to watch around the holidays. Below you’ll find a solid list of classics, little-known holiday films, and some that are sentimental non-holiday watches.

    • 2046
    • A CHRISTMAS STORY
    • ALIEN
    • BLACK CHRISTMAS
    • BLAST OF SILENCE
    • BRAZIL
    • CAROL
    • CHRISTMAS IN CONNECTICUT
    • CHRISTMAS VACATION
    • CHRISTMAS, AGAIN
    • CITY OF LOST CHILDREN
    • DIE HARD
    • EDWARD SCISSORHANDS
    • ELF
    • EMMITT OTTER’S JUGBAND CHRISTMAS
    • ERNEST SAVES CHRISTMAS
    • EYES WIDE SHUT
    • FAMILY STONE
    • FANNY AND ALEXANDER
    • FUNNY GAMES
    • GREMLINS
    • HARRY POTTER SERIES
    • HOME ALONE
    • HOME FOR THE HOLIDAYS
    • IN BRUGES
    • IT’S A WONDERFUL LIFE
    • JINGLE ALL THE WAY
    • KRAMPUS
    • LITTLE WOMEN
    • LOVE ACTUALLY
    • MEET ME IN ST. LOUIS
    • MIXED NUTS
    • PLANES, TRAINS AND AUTOMOBILES
    • PRANCER
    • RARE EXPORTS
    • ROCKY
    • ROCKY HORROR PICTURE SHOW
    • RUDOLPH THE RED NOSED REINDEER
    • SCROOGED
    • SILENT NIGHT, DEADLY NIGHT
    • SISTERS
    • SURF NAZIS MUST DIE
    • THE APARTMENT
    • THE BISHOP’S WIFE
    • THE HEBREW HAMMER
    • THE MAGIC CHRISTMAS TREE
    • THE MAN WHO CAME TO DINNER
    • THE NIGHTMARE BEFORE CHRISTMAS
    • THE THIN MAN
    • TRADING PLACES
    • WHITE CHRISTMAS

    Let us know what your favorite holiday films are on Facebook and Instagram!

  3. Lav Diaz’ Interview Responses Are Almost As Long (& Great) As His Films

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    Filipino filmmaker Lav Diaz, whose 4-hour-plus NORTE, THE END OF HISTORY screens as part of our Essential Cinema series on December 4, was interviewed by Andrea Picard of Cinema Scope last year and it’s one of the best interviews we’ve read in a long time.

    Here’s a sample:

    On the impossibility of submitting a list of Top 10 films of all time to Sight and Sound

    Diaz: This is the most abused exercise in cinema. Top 10 films, or, The Greatest 100 Films of All Time, or, 1000 Essential Films. And why do we do it still, ad infinitum, ad nauseum? Honestly, it just feeds the ego of the ones who do it, and, of course, of the ones mentioned. They will actually kill or die for it. It boggles the mind. But then it’s a valid exercise. And I respect people who do it, no matter how idiotic their choices/discourses sometimes are. I’ll even defend them. Yes, the canon, like it or not, is a necessary evil. Canon-making built so many sects and churches of cinema. Godard ran away from it, scared shitless upon realizing that Narcissus is staring at him in his favourite mirror, himself. But then he’s a god who created cinema, so he can’t destroy it, and we dread the day when he will finally leave cinema because he is infinitely a part of the Top 10 and The Greatest 100 Films of All Time and the 1000 Essential Films. In North Korea, the cinemaniac and late megalomaniac Kim Jong-il actually imposed a canon, all films starring himself, waving, smiling, visiting troops and factories, kissing babies, hugging the blind, praising uranium in thickly clogged shoes and propagating hairmania. And we know what happened and what is still happening in sad, sad North Korea. The wisdom and analogy is never, ever trust the canon. Keep an open mind but always keep Kim in mind. By keeping an open mind, we understand that the canon is part of the greater discourse of cinema; that’s short of saying that it’s still relevant. And I don’t think it’s elitist. Greater discourse always begs the proverbial question: “Do we really know the real Socrates?” or, putting it in a direct way: “Do we really know cinema?”

     

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